An Excerpt from “Solitude: Disillusionment”

•July 1, 2015 • Leave a Comment

I’m still working on the sequel to “Solitude” – my debut novel. Here is a little treat for fans of the work. This is a segment from the book, in fact from what is currently the prelude.

Broken (July 3, 2011: St. Charles, MO)

She sat up in bed, sweat pouring down her face and chest, soaking her old fashioned flannel nightgown. Her arms were thin and the delicate skin covered in the brown stain of liver spots. The once long and slender fingers were gnarled with rheumatoid arthritis, the bony, bent fingers punctuated by swollen knuckles. She was twenty decades past menopause, and hadn’t had the night sweats in years.

Tonight was different, though.

Tonight, the past was back to haunt her.

She’d bolted straight upright in bed, awakening her husband William from a sound slumber. Bill was a snorer, something that used to bother her enough so that at times they slept in separate beds when they were younger. Now her hearing was starting to go and she hardly noticed with her hearing aids out and sitting beside them on the nightstand.

William, on the other hand, had perfect hearing, and even if he didn’t it would be hard not to hear Elizabeth screaming at the top of her lungs.

She bolted upright in bed, screaming. “No! Don’t do it, Rosie! Don’t do it!”

Her shrill shrieking roused her husband from a deep slumber, send their frightened golden retriever flying from the foot of the bed as if demonically possessed dogcatchers from hell were behind it, and prompted the couple next door to engage in a discussion of whether or not to call the police for a domestic disturbance in their quiet, gated community. Elizabeth Linden nee Winscott was now Elizabeth Norton.

When she came to consciousness, she stopped screaming, and began to weep.

“What’s wrong, sweetie?” Mr. Norton asked, putting his arm around her.

“It is just awful,” she told him, sobbing into the sleeve of his nightshirt.

“Don’t cry,” he reassured her, “you were just having a nightmare. It’s over, dear. It’s over.” He reached over to the nightstand and pulled a tissue from the box that sat there with his withered, liver spotted hand.

Elizabeth blew her nose into the tissue. She knew he was wrong. She knew that the nightmare was not over.

It was just beginning.

She spent most of her lifetime avoiding dealing with the incidents of that long ago nightmare place she went to in the 1957s, the place where she met Mark Johnson and Rosie Mauban. She had been negligent in her duties, her debt to the whole wide world, because she was so humiliated about the time she’d been deceived by the Others. But she should have been there, to protect little Rosie. Rosie must be in her sixties by now, but Liz still thought of her as that little girl.

She hadn’t warned her. She hadn’t protected her, and now Rosie had been mislead, and unknowingly let something terrible into the world. They made a miscalculation, and they were trapped. They were trapped in something that was no longer the Isolation, but another pocket in time that was even further separated from the now. And now was the time… there was no time to waste.

They had to stop Angela Sinclair from giving birth to this monstrosity. Once she gave birth, it would be harder to get rid of this… this alien-human hybrid. Once it was born, it would just get stronger and stronger, until one day no one would be able to stop it. She needed to get them out, before it was too late.

She would have gotten up and done something about it that very night, if she wasn’t a married woman who needed to keep the secret from her husband. It had been forbidden to tell anyone outside of the isolation… it had always turned out badly before. She didn’t know if the rules had changed.

All she knew was that she had to do something.

It would have to wait until tomorrow.

Elizabeth Norton was a frail and fragile creature. A two year battle with lung cancer had left looking and feeling older than her seventy three years, but she was a fighter. She’d given up the smoking habit she’d developed so many years ago, as a way to cope with the anxiety of the Isolation and her fear that somehow she might be forced to deal with all of that again.

But now that fight was over.

Elizabeth Norton would never have a chance to help her old friend Rosalind escape the psychic fox trap she had her foot caught in. The stress of the revelation that the creature that would become Adam Hanks had entered the world was too much for her already beleaguered body.

At 3:34 am, Elizabeth Norton nee Linden nee Winscott died quietly in her sleep of heart failure.

San Mateo County Fair – Saturday, June 13th

•June 11, 2015 • Leave a Comment

Sumiko Saulson:

I’ll be there, too!

Originally posted on Emz Newz:


Come meet Emerian and her friends at

the San Mateo County Fair, Author day!

Chat with Bay Area Authors
Saturday June 13 from 1-4  P.M.

Over 25 local authors will gather near the Literary Arts Stage in Expo Hall to sell and sign their books on June 13. Here’s a great opportunity to support local authors and your own “reading habit.” Plus you might even find a perfect gift for a friend. They’ll gladly sign your book purchases for you!
*** Use author code: SMCF15 tol get 25% off all Emerian Rich purchases.
Cash and PayPal/Credit Card accepted.

Author-Day-June-13-2-4-Emerian-Rich_001 (2)

Writers Helping Writers: Authors discuss promotion and other challenges they encounter.
Saturday, June 13, 4-6 P.M.

With authors Laurel Anne Hill, Emerian Rich, and more.


And if you use author code: SMCF15, you will get 25% off all Emerian Rich purchases.
Cash and PayPal/Credit Card accepted.

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2015 Baycon Recap

•June 7, 2015 • Leave a Comment

Sumiko Saulson:

Emz wrote this recap of BayCon

Originally posted on Emz Newz:

A lot of you have been clamoring for a BayCon recap and so here goes…

bacon Bacon at Baycon

As I’ve said many times before, BayCon is my home con. It’s where I started and where I first had an early glimpse of the Hall Costumes, or what now has been come to be called cosplay. Seeing real live Klingons as a young goth was quite an experience, and since I wasn’t really exposed to the Comic/Anime lifestyle before, a first for me. That first con I will remember always. My hubby and I were only dating then and getting a long-haired, goth-metal dude to dance in Renaissance style, let me tell you it was a feat never to be attempted outside of fandom walls. But the magic of BayCon causes you to do things you never thought you’d ever do like Belly dance (I miss you Mary Nancy Cordero!), see…

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Interview with Nuzo Onoh, author of Unhallowed Graves

•June 2, 2015 • Leave a Comment

The Author

cambridgeNuzo Onoh is a British Writer of African descent. Born in Enugu, the Eastern part of Nigeria, formerly known as The Republic of Biafra, Nuzo lived through the Civil war between Nigeria and Biafra, an experience that left a strong impact on her and continues to influence her writing.

She attended Queen’s School Enugu before proceeding to the Quaker boarding school, The Mount School, York, England and finally, St Andrew’s Tutorial College, Cambridge, from where she obtained her A’ levels. Nuzo holds both a law degree and a Masters degree in Writing from The University of Warwick, England. She has two daughters and lives in Coventry, from where she runs her own publishing company, Canaan-Star Publishing.

Now recognised as the front-runner of African Horror, Nuzo is the author of The Reluctant Dead, a collection of African ghost stories. Her latest book, Unhallowed Graves, will be published on 28th June, 2015 and is now available for pre-orders from Amazon.

The Book

9781909484856_cov1.inddUnhallowed Graves is a collection of three chilling stories of revenge by the restless dead buried in Unhallowed or accursed Graves.

Night Market – Oja-ale” narrates the terror of Oja-ale, the night market run by the dead. Everything can be bought for a deadly price in Oja-ale. Alan Pearson is a sceptical British diplomat, contemptuous and dismissive of native superstitions…. Until the day he receives a terrifying purchase from the Night Market, which defies Western science and logic. And Alan must finally confront the chilling truth of Oja-ale.

The Unclean” follows the tragedy of a grieving mother forced to take some deadly actions when her dead child returns to haunt her with terrifying consequences.

Our Bones Shall Rise Again” is inspired by the 1803 tragedy of Igbo-Landing in Georgia USA. The ghost of a drowned slave is resurrected from his watery grave to exact revenge on the family that betrayed him and sold him into slavery, with tragic consequences.

The Interview

Q. Your second book “Unhallowed Graves” tells three different tales of angry ghosts buried in cursed grounds. What inspired you to write these stories?

A. Several factors inspired the three long stories that make up the collection in Unhallowed Graves. The first story, The Unclean, was inspired by a personal tragedy which brought up the archaic burial traditions of my people, turning what was a terrible loss into a harrowing trauma that ended with exhumation and an unmarked grave. A few years later, I heard that a good family friend had been forced to drink the corpse-water used in washing her husband’s dead body. The woman was also made to spend three nights in the forest with her husband’s corpse to prove she had no hand in his demise. These two incidents inspired me to write about The Unclean, where my protagonist is haunted by her dead child buried in accursed grounds.

The second story, Night Market, was inspired by a story told me by a good friend and is the first story I have written with a white protagonist. It narrates the story of a night market run by the dead, where everything can be purchased for a deadly price.

The final story, Our Bones Shall Rise Again, which is my favourite story, was inspired by the tragedy of Igbo Landing. Amidst the marshes of Dumber Creek in St Simon’s Island, Georgia, USA, lies a site known as Igbo Landing. On that site in May, 1803, a group of enslaved Igbos opted for mass suicide by drowning rather than be taken into slavery. The slaves had been captured in West Africa and during the voyage, the Igbo slaves rose up in rebellion, taking control of the ship and drowning their captors. The Morovia ran aground in Dunbar Creek. The Igbos, upon assessing their situation, resolved to walk home over the water rather than submit to the living death of slavery. They walked into Dunbar Creek in a collective act of deliberate suicide. It is said that as they took this fatal march, the slaves chanted that the water spirits brought them to the Island and will take them home again. This story of resistance towards slavery has formed part of African-American folklore and the site has become a popular tourist destination today. It is believed that their ghosts still haunt the beaches, with the sound of slave chains still reverberating at Dunbar Creek where the incident happened in the wee hours of the morning. There are also reports of eerie sounds and shadows in the marshes at Igbo Landing. Legend has it that the voices of the dead slaves at Igbo Landing still cry out from those foreign waters, demanding to come home to Igbo-land.

My story, “Our Bone Shall Rise Again”, is a work of fiction which merges history with lore, hauntings and possessions, superstitions and mystical occultisms, giving me an opportunity to return their restless spirits back to Igbo-land and give them their long-sought revenge in the process. In fact, I dedicated my book, Unhallowed Graves, to those brave and tragic Igbo souls of Igbo Landing.

Q. How do these stories connect with the ghost stories in your first work, “The Reluctant Dead?”

A. The Reluctant Dead was all about hauntings by ghosts with unfinished business. The stories showcased some of the different kinds of death in Igbo culture, such as untimely death, sudden death, accursed death, tragic death and bad death. There was an element of revenge in the six stories in the collection. In contrast, the three long stories in Unhallowed Graves, focus on hauntings by a particular type of ghost – those buried in accursed or unhallowed grounds. In Igbo custom, especially in the rural villages, certain corpses were deemed unfit to be buried in consecrated grounds or amongst the rest of the family in a communal compound. These were bodies of people whose deaths were viewed as unclean, accursed or bad, such as lightening victims, suicides, executed criminals, mothers that died in childbirth etc. Other categories included dwarves, albinos, children born with “unnatural” defects such as a set of teeth, extra fingers/toes and children that died before their parents, especially, born-to-die children, where a child keeps returning to the same family to torment the family by dying young in each reincarnation. All these bodies were cast into the bad forest with nothing to mark their graves. Unhallowed Graves therefore tells three different stories of hauntings by people buried in accursed grounds. Naturally, one would assume that such ghosts would be bitter and out for revenge. Thus, just as in The Reluctant Dead, the three stories of Unhallowed Graves are about unfinished business but most especially, revenge by angry spirits from accursed graves.

Q. You call the genre African Horror – how does it differ from other works in the horror genre?

A. I think I discussed this issue in one of my earlier interviews. African Horror is a cesspool of terrifying supernatural entities and superstitions, which very few cultures can rival in their sheer volume and malevolence. Africa is a culture that accepts the supernatural as a normal part of everyday living. So for instance, here in the West, if a person dies, there can be only two main causes of death, natural causes or unnatural /unexplained causes, usually murder or manslaughter. But rarely are the deaths attributed to supernatural causes. But in African culture, in particular the Igbo culture about which I write, no death is simply natural unless it is an old person who has fulfilled all social and cultural obligations. Otherwise, every death is viewed as suspicious, an act of the ancestors, gods, bad karma, ghosts, witchcraft, night-flyers, mami-water, juju and a host of other supernatural causes. The type of death and the kind of burial will generally determine the type of ghost that manifests, the level of malevolence exhibited and the degree of intervention required by powerful witchdoctors or Pentecostal prayer warriors. Consequently, African ghosts always have some unfathomable agenda and that is what I think makes the horror more unsettling and chilling than mainstream horror. And just like the Japanese Kaidan horror, African Horror is geographically specific and showcases the culture, beliefs, traditions and practices of the people (in my case, the Igbo tribe in the main) within a haunting context.

Q. Who are some other authors who write in the genre?

A. I’m sure there are some African writers of horror stories, albeit, their stories are not always set in Africa. Writers such as Akua Lezli Hopes and Nnedi Okorafor who are of African descent write more on Fantasy than pure African horror with our mish-mash of cultures, superstitions and dark practices. Ben Okri is another brilliant writer in the genre. But my all-time hero and the person that inspired in me the love for the genre, remains the great Amos Tutuola, whose books, The Palm-wine drinkard and My Life in the Bush of Ghosts have become modern African classics. I’m hoping to see more African female writers in future.

Q. Tell us about your choice to set the stories in pre-Colonial, Colonial and Modern Africa. In what ways do you think the supernatural tie these three periods together, in the stories themselves, and in real life?

A. Yes, I decided to set my stories in various significant periods of Nigerian history. The story, Our Bones Shall Rise Again, is set in pre-colonial times when the slave trade was at its notorious peak. At that time, Christianity was yet to have an impact on the traditions and beliefs of the Igbo people of Nigeria. Divinity, ancestral veneration, occultisms and a belief in reincarnation was the norm. Thus, my protagonist, Oba, the greatest medicine-man in the twelve villages and beyond, had an unshakable faith in the powers of the ancestors and deities, a belief that convinced him to lead his clansmen in a collective act of mass suicide by drowning rather than be taken into slavery. The deities had promised him a future resurrection to exact vengeance on the wife that betrayed him and sent him into his unhallowed grave underneath the murky waters of the unknown sea. The second story, The Unclean, is set in colonial Nigeria when Queen Elizabeth 11 “owned our lands and our calendars”. By that time, the impact of Christianity was very powerful on Igbo society. My protagonist, Desee, was a devout catholic and an ex-pupil of Irish Nuns. Yet, when her dead son started haunting her, she resorted to the long-held practice of occultism and divinity. The final story, Night Market, is set in modern-day Nigeria, right inside the vibrant city of Lagos, the commercial capital of Nigeria. The characters are not of the Igbo tribe, as in my other stories. Yet, we see a similar belief in the supernatural and a strong faith in occultism, similar in both the Yoruba and Igbo tribes of Nigeria.

I have tried to show that despite the impact of western civilization, Africans still cling to their old beliefs, customs and practices. While education, religion and globalization may have diluted these beliefs in some areas, deep down, most Africans believe in the existence of some supernatural forces, entities, deities and gods. Ancestor veneration and worship as well as a belief in reincarnation is still a strong force. While some people may not actively practice the customs, deep down, most Africans, regardless of education or status, believe in something not quite of the visible world. As the saying goes, you can’t be a real African unless you believe in something…anything… supernatural.

Q. Tell us about the Night Market

A. Night Market is different from my other stories because for the first time, my protagonist is white. I first heard about the urban legend of a night market forbidden to the living from a good friend who was a white man living in Nigeria at the time. He told me he’d heard about it from a highly educated and influential Nigerian, who advised him to steer clear of the market. My friend was of course sceptical of the lore and his scepticism bred in me a desire to shatter his safe beliefs. As everyone knows, we writers are word-magpies and I saw the possibilities of a good ghost story in my friend’s narrative. My friend also suggested that I include a white person in my stories for a change. We felt the impact would be stronger when his western beliefs are shattered by the mysterious realities of African occultism. So Night Market was born; a dark and silent market run by the dead, where everything and anything can be bought for a deadly, non-negotiable price.

Q. Are you working on any other stories and books we might hear about in the future?

A. Yes, right now, I’m working on my next African Horror collection with the working title of The Sleepless, due out next year, on the same date I release all my horror works, 28th June. There is a belief that children and babies are innocent, helpless and vulnerable. But what happens when their innocent sleep is murdered; when they are abused by adults; when their corpses are dishonoured by the grown-ups; when the soil sours their souls and they return to exact revenge on the living? Using African superstitions about restless infant ghosts, I hope to disabuse the notion that children are helpless and in the process, bring to my readers some terrifying tales of revenge by angry ghosts of infants, mostly, victims of adult cruelty.

Q. Is there anything else you would like our readers to know?

A. Only to say a massive thanks to all the readers that supported my first book, The Reluctant Dead, with tweets, reviews, emails and purchases. Their support inspired me to continue in the genre and I would appreciate more reviews and tweets for Unhallowed Graves. For anyone interested in finding out 10 top things they didn’t know about African Horror, please visit and read all about it. Finally, please get your copy of Unhallowed Graves today from And please make the 28th of June of every year your date with my new books on African Horror. Again, my gratitude for all your support.

Facebook’s “real name” policy marginalizes senior, pagan member of Anne Rice fandom

•May 19, 2015 • 2 Comments

granny goodwitchAnti-pagan bias is likely at the root of the recent harassment of outspoken Anne Rice fan and vocal, public pagan Granny Goodwitch, but the unintentional ageism of Facebook’s current real name identification processes are the reason her trials and tribulations are dragging on for days and days. If Granny was a young person with a cellphone and a scanner, this could have been quickly resolved. Instead, it has gone on for close to a week and shows no signs of an immediate resolution.

Facebook’s “real name” policy has never been as strict as other social media platforms, such as Google+, in that Facebook does not require users to use their legal names, only the names that they use in real life. That is why it came as an unpleasant shock and surprise to many members of Anne Rice’s 1.1 million strong Facebook fandom, who Anne calls “The People of the Page,” when an active and beloved member of their community, Granny Goodwitch, had her Facebook page unceremoniously banned by Facebook.

Granny is a real-life pagan who uses her unusual moniker in her day to day life – therefore it should be protected under Facebook’s policies as a real name. The name is also associated with her identity as a witch and her Wiccan belief system. Since she receives mail under the name and uses it in her offline life, she should qualify for an exemption, but because she like many seniors does not own a cellphone or a scanner, she is running into roadblocks in the verification process.

Facebook’s verification processes take time. They may also unintentionally penalize seniors such as Granny, who are less technologically savvy and less likely to have broad electronic fingerprints spread all over the internet like younger people who may use their monikers on work-related sites like Monster and Linked-In, or e-commerce related sites like PayPal or Amazon or eBay. They are also less likely or to own devices like scanners that are required to produce copies of things like postal mail. Facebook says it is working on making its policies less biased, but policies such as using cellphones to verify identity still work at odds with seniors like Granny who don’t use cellphones but old fashioned land lines.

To the best of this reporter’s knowledge, it is the lack of access to the technology that is currently slowing the process. In addition to unintentional ageism, a level of classism may be at work since people who have more money are more likely to have modern technology in their homes.

Many members of the community are alarmed, including Anne Rice, who has posted twice publicly on the subject:

“Granny Goodwitch has AGAIN been blocked on Facebook! What is going on? Why is Facebook relentlessly persecuting this lovely and benign member of our FB community! What in the world is prompting this? Oh, I know, there is some regulation about real names, but FB is filled with people posting under fake and fictional names, and filled with people up to mischief with their fake names; whereas this poster is a loving, positive person, who has always offered us wonderful, informative links and comments on this page! If anybody can help us with this problem by all means do! Please contact any FB representative you might know (I do not know of any) and ask why this is happening. Is someone stalking Granny? Is someone relentlessly “reporting” her? If so, why? And for what? And why, again, would FB single out Granny, of all people, when there are so many posting under fictional names on FB?” – Anne Rice

Facebook’s real name policy is largely enforced based upon user reporting, so while there is no proof that someone is harassing Granny Goodwitch, that possibility seems likely. This could be yet another example of the real name policy, which is designed to prevent harassment, backfiring and being used as a tool for bullying.

Native Americans, transgender people and others have been persecuted by bigots under the real names policy. This can happen when a Facebook user who happens to disagree with the person’s politics repeatedly reports a user.

In Granny’s case, anti-pagan prejudice is very likely work, since she is very outspoken about her beliefs, and her name is related to them. She spoke about her beliefs at length in her interview with Nola Cancel. Whoever is reporting her may dislike the nature of articles she offers to Anne Rice for reposting, and may not respect the religious significance of the Goodwitch name. Although the name has an ironic connotation, because it is also the name of a cartoon character, Granny has used it in earnest for some time.

She might also be under fire for her feminist beliefs, or be the target of someone who is simply jealous and resents her popularity and the attention she receives from Anne Rice. Anne Rice has named Granny Goodwitch her “science reporter” and an honorary member of the Order of the Talamasca, a fictional watcher society that keeps track of supernatural goings on in the Anne Rice universe.

Fellow Person of the Page Buffie Peterson started a petition to ask for the reinstatement of Granny Goodwitch, and Justin Simpson started a Q&A in Facebook’s Help Section.

My panel schedule for BayCon 2015.

•May 12, 2015 • Leave a Comment

Sumiko Saulson

Img_150429170307Sumiko Saulson’s blog “Things That Go Bump In My Head” focuses on horror fiction writing and features author interviews, writing advice, short stories and editorial pieces. She is the author of two novels in the science fiction and horror genres, “Solitude,” and “Warmth”, and a Young Adult dark fantasy series, “The Moon Cried Blood”, which was originally a novel.  Her fourth novel “Happiness and Other Diseases” will be released October 18, 2014.  She is also the author of a short story anthology “Things That Go Bump In My Head”.  She writes for the Oakland Art Scene for the A published poet and writer of short stories and editorials, she was once profiled in a San Francisco Chronicle article about up-and-coming poets in the beatnik tradition. The child of African American and Russian-Jewish American parents, she is a native Californian, and was born and spent her early childhood in Los Angeles, moving to Hawaii, where she spent her teen years, at the age of 12. She has spent most of her adult life living in the San Francisco Bay Area.


Flash, Green Arrow, and The Atom; is DC conquering TV? on Friday at 4:30 PM in Bayshore
(with Doug Berry (M), Lon Sarver)

While Marvel dominates movie theaters, DC has been quietly building a strong presence on television. Is this their best bet? Which hero should be the next to get a show?

Horror Addicts BoF and Book Release Party on Friday at 8:30 PM in Stevens Creek

(with Emerian Rich (M), Jason Malcolm Stewart, H.E. Roulo) AND Sumiko Saulson, Laurel Anne Hill, Loren Rhoads, Lillian Csernica,

    Join the gang from Horror Addicts for a discussion of what’s new with them, and a book release celebration for the Horror Addicts Guide to Life.


A Costume Is Not Consent! Dealing With Harassment at a Con on Saturday at 11:30 AM in Ballroom A
    (with Violet Ruthless, Julie Shepard, Mary Anne Butler (M))

Are you wondering what to do if you feel you are being harassed while at a convention? If someone else comes up to you asking for your help with a complaint about harassment, do you know who to contact or where to take that person? Meet with some experienced con-goers, members of the BayCon staff, and a representative of FLARE (the convention safety and security team) for an explanation on what to do, who to look for, and where you can go for help.

The Persistence of Racism on Saturday at 1:00 PM in Stevens Creek
[I am moderating.]
(with Lon Sarver, Gregg Castro, Brad Lyau, Helen Stringer)

It’s been 150 years since the end of the Civil War and an end to overt slavery in the US. While some people will point to the great deal of progress made in race relations since then, others will point to the continued mistreatment of minorities, blacks being incarcerated for longer terms and at higher rates than whites charged with the same offenses, and a lack of financial opportunities for disadvantaged minorities compared to whites. Is it time to have a national dialogue on race? What issues could go into such a dialogue? What resolutions might we look for as a result?

Writing Across the Gender Divide on Saturday at 2:30 PM in Ballroom A
[I am moderating.]
(with Jay Hartlove, Sarah Stegall, Kiri Callaghan, Chaz Brenchley, S L Gray, Sandra Saidak)

Men who write stories with female lead characters. Women who write stories with male leads. What are the pitfalls in writing about someone who is fundamentally different, especially when writing in the first person? We live in a society that doesn’t encourage its members to expose all their feelings, especially when those feelings involve attraction or discomfort. That can make it difficult to understand how a person of the opposite sex reacts in the same situation that you are are in. So if a woman reads a story with a first-person female character written by a man, does the character’s reactions and inner voice ring true, or does it seem like a man who is cross-dressing? How does a writer learn to express a believable inner voice for a character that belongs to the opposite sex?

BoF: World Goth Day on Saturday at 4:00 PM in Cypress
(with AE Marling, Sarah Pugliaresi, Jean Batt, Emerian Rich (M), Seanan McGuire)

On May 23rd, join your fellow Goths in celebration of World Goth Day. (Yes, the actual Day is Friday the 22nd. Goths are mysterious and fickle — roll with it.)


Celebrating A Girl of Wonder(land): Happy 150th Birthday, Alice on Sunday at 10:00 AM in Lafayette
(with Emily Jiang, Kevin Andrew Murphy, Kay Tracy, Helen Stringer (M))

Up until 150 years ago children’s books were mostly intended to instruct rather than entertain. All that changed when mathematician Charles Lutwidge Dodgson, under the pen name Lewis Carroll, published Alice in Wonderland in 1865. that book went on to inspire many other authors, artists, and even movie-makers. The panelists discuss the influence of Alice in Wonderland after 150 years.

Commercial Space Travel Challenges on Sunday at 1:00 PM in Saratoga
(with Berry Kercheval, Jay Reynolds Freeman (M))

Blowups, production problems, political opposition, and regulation costs are some of the problems facing commercial space travel. What does the next year look like for SpaceX, Boeing, Orbital Sciences, Sierra Nevada, Blue Origin and other entrants. Will you be able to buy a ticket to orbit, or Mars, in your lifetime?

Themed Reading: Pop Culture Invades SF/F/H on Sunday at 2:30 PM in San Tomas
(with Emerian Rich)

Gaming. LARPing. Comic books. Sometimes the things you love to spend your spare time on finds it way into the stories you love to read. Hear authors who’ve figured out how to blend pop culture and speculative fiction read from their stories.

BayCon Website

Interview with blogger Daryl Wor of The Pit of Ultimate Dark Shadows

•May 10, 2015 • 2 Comments
b and w logo

The Blogger

Daryl Wor is an actor/writer/comedienne who creates the podcast, audio-drama and writes the blog for a (mainly) 1960’s multi-fandom creation: The Pit of Ultimate Dark Shadows. Having worked on original material prior to this, also delving into several spooky or supernatural worlds, combining many beloved screen characters of the darker but fun variety is a challenge but manageable. The fandoms involved are numerous but the main ones mixed in are day-time drama Dark Shadows, two characters from several comedy skits on The Kids In The Hall, Wadsworth from the film Clue (which took place in 1954), The Ghost & Mrs. Muir television program, The Addams Family, and Lily from The Munsters.

Previously a vision-therapist and a high-school teacher for a special education program with emotionally-disturbed students requiring therapy, problem-solving by example is nothing new to her. The Pit of Ultimate Dark Shadows, as well as a vampiric and erotic marriage novel related to the audio series, has become her full-time “employment” for which, because it’s fanwork, she can only get paid in discussion and commentary. Having discovered many fans of Dark Shadows aren’t always easy going this work has been one more often of stress than enjoyment. She is currently married to, who is known in four podcasts as, “Daryl’s Husband” and their relationship has spanned 22 years. Neither drive which leaves them quite isolated from many loved ones and friends.  

The Interview

Q. What inspired you to start “The Pit of Ultimate Dark Shadows”?
A. I’ve always loved the spooky and I looked into Dark Shadows here and there, but being a stickler for continuity I didn’t want to delve into it until I knew I had enough to get the entire gist. In the middle 2000’s we looked into Netflix to see if they had enough. Their collection started about the time Barnabas Collins came into the picture and I knew from research he was Mr. Big Cake for the series. I’m careful with what I imbibe in media due to extreme sensitivity to more modern and over-stimulating material. A 1960s supernatural soap-opera would be just the thing. I also was falling into a numbing depression so many of the painful aspects were only affecting me slightly.
Being a major problem-solver to release myself from many bad relationships, family included, I could identify with what all the characters were going through. With the rush of production time back then I was amazed by how crisp and dynamic all the characters and performers were. There was even humour in many moments which I’d never seen in a soap-opera before. But, as such a show is likely to do, it spirals downward and many tragic things occur for which there is often no cure except being distracted by the next pile up of terrors. The 1795 period with Barnabas and Josette brought out so much longing and desire. I could see why Barnabas Collins became the intense mourner he is for Josette. The rest of what the witch Angelique did to him and his loved ones created someone who would turn very foul from being left to that exposure then lying in a coffin for 170 years.
The crux of my project came when I saw signs that Maggie Evans was the reincarnation of Josette Dupres. I’d thought it might be Victoria Winters but I couldn’t find the evidence for that. Maggie Evans father, Sam Evans, is a down-to-earth philosophical artist and painter who is known for drinking like many a tortured-artist. When the series came back into the 1960s he was cursed to lose his vision and then eventually was killed off. That was the last-straw for me and I combed what Dark Shadows fanfiction I could in order to find a relief-series where he survives. This would put all the components into place as I was naturally seeing that would end up for all the characters to find happiness and work-a-day contentment. During a five-year study of what fanfiction I could find there was no such relief series created for Dark Shadows. So I started taking notes for my own.
Q. How does the Dark Shadows fandom differ from other fandoms?
A. Other supernatural daytime-dramas have come and gone but Dark Shadows stands out as the highlight after all of these years. However, soap-operas are, or were, created for house-wives but Dark Shadows was on late enough that the younger generation of the 1960’s were running home from school to make sure they didn’t miss it. This was a completely new and different occurrence on what was being presented and what audience was being reached with it. The program lasted from 1966-1971 and lifted story lines from many well known Gothic books like Jane Eyre, Picture of Dorian Gray and Turn of The Screw. 
Like Star Trek, the fanbase was strong and fanzines began with stories of further adventures with its characters. The difference being that Star Trek had less episodes, a shorter run and usually maintained character accuracy in its fanwork. Dark Shadows did as well until later on. Many fan work creators of Dark Shadows will state, as if fact, that fan-fiction is tacking on the names of characters and telling any story you want whether or not it conflicts with who the characters are or how they might behave. My theory is this was caused by lack of access to the full run of Dark Shadows which had over 1,200 episodes and much more going on in terms of continuity that linked everything together. Other television programs as beloved didn’t have that complexity. (Continuity flaws abound as well, and that might make a ton of fans throw up their hands and cry, “Anything goes!”)
Q. What other dark/spooky materials did you work on in the past?
A. I have a ton of work set on the back-burner. My big one being a series that also incorporates a wealth of supernatural elements, mainly vampires. The plan is still for a three volume work in which the protagonist loses her most beloved and later on finds herself on “The Other Side” to heal from her own damage before returning to the mortal realm and continuing her journey of self-discovery. She encounters ghosts, Banshees, other creatures of spirit and myth as well as old vampire friends. Witchcraft is studied later on to ground her back to Earth. The layers of history and the supernatural were deeply complex which is kind of funny considering Dark Shadows has that same complexity and I hadn’t watched it yet. 
I also tried a hand at creating ghost stories or campfire stories in the same light as urban legends, and studied those heavily trying to find the best. I recently found an old story for Bloody Mary I wrote years ago and posted it to fictionpress.  I’d forgotten how good it was as it mentions other great ghost stories in it and also the best method for telling spooky stories in groups. (We used to hold a monthly event called Ghost Story Night in our home to encourage that old tradition with our friends.)
I also did many audio book performances for [Sumiko? Should that go into the bio?] my first and favourite being the spookiest, “At The Sign of The Jack O’Lantern” by Myrtle Reed.
Q. What other shows besides Dark Shadows does your blog get into?
A. The Ghost and Mrs. Muir from the 1960s, as well as The Addams Family, and definitely The Pit of Ultimate Darkness hosts from The Kids In The Hall. Lily Munster comes up quite a bit. Mostly I started the blog because many pen friends wanted other news and I didn’t have any so I felt I couldn’t talk to them about what was happening. I write up all of my struggles, discoveries and what little fun I could have as I build the audio episodes and re-write the marriage novel of what the radio-drama’s goal is gearing up to. Some have told me when they read entries they are fascinated how much I can write about, but the key component comes from maintaining correspondence and letter-writing most of my life. Somewhat similar to what Robert Fulghum writes about but mine is more in themes with what I’m doing and… I do vent. 
Q. I met you on a Goth forum – how much do you think goth culture and horror fiction fandom crossover or intersect?
A. It totally depends on the individual. I like spooky, but I steer towards fun spooky. My Mum introduced me to Roger Corman’s film “The Raven” as I adore Vincent Price and always have, as well as Bela Lugosi, Peter Lorre, and Boris Karloff. I watched that often and thought that was how spooky worked. Then I got into horror and I was entertained for a while but it usually left me feeling sour. Others adore horror from the thrill, but what I often see is people watching horror films or bad horror films for something to heckle and enjoy in that light. 
It’s a hard question to answer. Some love the gothic culture for the romance of darkness and moonlight, others for the fun of dressing up, other for the music or it’s a combination of everything, including horror. Goth culture has so many facets which is likely the reasons it’s difficult to pin-down to something simple.
Q. What are the challenges you face when putting together a podcast?
A. The knowledge that what will usually happen when the links are shared on facebook is that I will get nothing but a like-click from people and that’s it. *laughing sadly* Some people like-click out of habit so you don’t even know if they downloaded and listened or not. More technical challenges are whatever I’ve been ruminating that I feel is important to say either about an upcoming episode or what I’m seeing in people’s online behavior or fandom behavior, some of which is good. I’ll type up a monologue of ideas that are striking me and I will leave that alone for a while so that when I do the podcast I’m speaking with more of a conversational tone rather than droning out a reading, and I will also vary from that monologue quite a bit. Then I have to see what music or effects to add, do the noise cleaning and what not, blending in everything. Cutting out “ums” and “y’knows” is one of the worst procedures.
Radio drama episodes in audio for the show are incredibly more difficult to do. I have to act out all the parts of so many characters from so many shows as hiring anyone is out of the question. (Though I have been jovially urged to call Jon Astin. My Gomez Addams impression needs work.) Then alter how everyone sounds depending on who they are and what my voice couldn’t do. Adding sound effects and music in the correct areas and hope they give the listeners the idea of what’s going on because I’m not always happy with the sound effects I’m left with for certain actions. Picking the length of silence between lines and scenes is also difficult.
Q. What advice would you give other podcasters?
A. If you’re looking for communication with your audience? Don’t expect any. Podcasting as a hobby is much safer than doing it as a passion or calling. Device technology has made more people into takers rather than talkers. If you have solid friendships of people who are interested in your work and will write commentary for it that is the best way to go. Everyone needs support but we’ve gotten into this every-man-for-himself idea which neither enriches us or the work. You might believe what you are communicating is clear but if the listener isn’t paying attention you’ll get some very confusing responses.
Q. What advice would you give to other bloggers or writers in general?
A. Don’t post every single day. Wait until you have something good and solid to relate. For writers in general? Listen to your Muse. Keep blank books and save everything. People have different things that work for them. Some people prefer a schedule that is closer to school or work, some are better when the inspiration or information hits them. Find what is best for you.
If you have someone who comes in and comments rudely do your best to explain where you are at as gently as possible, and don’t be too alarmed if you have a random person writing random things in your comment boxes. Some people flutter around online, see a comment box and just start getting strange. The comment doesn’t need to be posted if it has nothing to do with you or your content. 
Q. Do you have any other projects you would like our readers to know about?
A. I realized that because people are using device technology and can’t download the show or write commentary about it for me, but want the friendships I’m looking for, I have The Pit of Ultimate Dark Shadows care-package plan. I want conversation on the episodes to boost me to keep going, but I also want to bring back correspondence so we can be pen pals as well. I have CDs to send and questions to answer for fun. The online world is very distracting and alienating. We need to look at it more in tandem with the other forms of communication. Many of our elders bemoan the loss of the ways they grew up with, but there are a ton of people out there, many young adults and college students, who love what is now called snail-mail. Anyone wondering how I got into the gothic community? It was pen pals. 
And I’d enjoy discussion on the librivox books I made. I still love almost all of my work there but never hear a great deal about it. I even shot for a Joan Bennett impression for a character in Spyri’s book “Veronica” as I was building demos for The Pit of Ultimate Dark Shadows and Joan Bennett plays Elizabeth Stoddard on Dark Shadows. 

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