Thoughts on this Memorial Day

•May 27, 2013 • Leave a Comment
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Sacramento Valley Memorial Cemetery, where my father Robert Allen Saulson is buried.

Memorial Day is a commemoration of the men and women who lost their lives in service of this country. Many of us also express our gratitude to the men and women who serve on this day, just as we do on Veteran’s Day. I am the daughter of a veteran, the niece of a veteran, and the granddaughter of a veteran. Although all three of these men in my family who served came home in one piece, neither of them were the same.

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My mom and my grandfather 1967

My grandfather, Leon Mathews, came home from Korea with a broken mind. They didn’t know a lot about PTSD, or as they called it back them, shellshock, and so when he began exhibiting signs of paranoia and yelling at people who were not there, he was diagnosed with schizophrenia. My grandfather probably was not schizophrenic: men do not usually start exhibiting signs of schizophrenia in their thirty. I am grateful that my grandfather came home, although he was deeply affected by the war. My mother and my aunts and uncle were deeply affected by my grandfather’s illness: my mom is the oldest,and she was twelve when he came home.

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My dad in his navy uniform, with his brother Jimmy.

In my English 1B class this semester, we read two book on war. One was Ceremony by Leslie Marmon Silko. It was about Native American soldiers returning from World War II, and particularly, Tayo, the main protagonist, who has PTSD. The confused narrative of the story emphasizes the state of mind of its point of view protagonist.

When I read it, I naturally thought of my grandfather, a tall, dapper black man who was usually sharply dressed with a fashionable fedora. He was born Feb. 12, 1924 and died on Dec. 21, 1993. He was a private in the Army, and is buried at Riverside National Cemetery. I couldn’t find the picture, but I did find some  video from that graduation ceremony which was used as  part of this 2002 documentary short I made. The video is from about 1967, and my mom is standing next to my grandfather, pregnant with me. You can’t really tell what they look like, but you can definitely recognize their fashion sense.

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Carrying dad’s casket after his service.

My grandfather was part Native American, like Tayo, but he wasn’t half white. He was either half or three-quarters black, we aren’t sure, but his father was a Blackfoot out of Virginia, and he was a recognized tribe member who lived on the reservation. No one can seem to recall if my great-grandfather was also part black, but a lot of the Virginia Blackfoot were.

The Things They Carried by Tim O’Brien was the second book we read, and that was about Vietnam vets. It reminded me of my uncle Jimmy, and my dad, two other servicemen in my family. Jimmy, who was injured in Vietnam, and my father, who served in the Navy just before Vietnam was a declared war. There were already soldiers in Vietnam when my dad served, but he was a radio technician in the Navy and served in Iceland. Uncle Jimmy was shot before the helicopter he was in even had a chance to land in Vietnam – gunfire pierced the helicopter and hit my uncle where he sat, piercing his bottom and injuring his back. He spent the rest of his life with a back injury.

ImageIt also reminded me of the many soldiers who I’d met over the past decade who served in Iraq and Afghanistan. The men who came back, and their memories of their friends who didn’t come back. I can not imagine how hard it is for a man to watch another man die in front of his eyes: any man, a stranger, an enemy, but especially a friend, someone he worked and lived beside day after day. Like in Vietnam, many men returned with an anti-war sentiment. Many of them returned with PTSD, like my grandpa.

Today, in honor of the men who died in service, people will go to the military gravesites and put flags on each grave. We will honor those who died in service, and those who died years later, like my grandfather, and my father, will also get flags on their graves. Some of those men who didn’t die in the war, will be like my grandfather. Like so many much younger men I’ve met who served in Iraq and Afghanistan getting treatment, because you see, I also have PTSD even though I have served in no war, they will have carried the scars of living for years in a warzone, like Tayo in Ceremony.

Some of them will come home to families, like the men in my family who served. Others will be alone – one in three homeless men are veterans. Please remember them and their service today. Please give the benefit of the doubt to the man with the sign saying homeless veteran who is panhandling on the street, because he probably is a veteran. Remember our dead, and honor our living. 

One Love.

I had fun visiting HorrorAddicts.net at BayCon 2013

•May 26, 2013 • 2 Comments
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Sumiko Saulson and Emerian Rich.

Friday night, I drove down to Santa Clara to go to the HorrorAddicts.net tea at BayCon 2013. I met a lot of cool people there, including Emerian Rich and two other authors. A delicious jasmine tea was served, and a host of gorgeous and probably delicious sweet treats, which I decided not to eat due to the recent declaration of my physician that my blood sugar is too high and is prediabetic. My friend Brian Muller and my fiance Gregory Hug attended with me. I saw an old friend Eli Chiaviello. With this being the thirteenth year of the convention, and the theme being T

I would post a bunch of pictures, but apparently I need a new camera phone and new eyeballs. My only picture of me and Emerian is super blurry. Fortunately, thanks to the cutesy processing available at PhotoMania I have been able to salvage it. I would just like to state for the record, that we weren’t actually standing in a window behind a cartoon cat at any point during the HorrorAddicts.net tea. Other than that, however – I would say that the HorrorAddicts.net tea was a little bit like a gothic fairytale, and I wouldn’t have been surprised if the Cheshire Cat had shown up.

Down the hall, three doors past the Klingon Slave Auctions, and to the right was the Horror Addicts tea. Fashionably attired gothic girls filled the room with fancy, fluffy black gowns and colorful hair and stripey socks complimented the array of spookily coordinated cupcakes and cookies. As the HorrorAddicts.net site says:

“Emerian and her HorrorAddicts.net crew provided the decorations this year to get the BayCon group into the spooky, horror, mood of Chairwoman Sabre’s theme: Triskaidekaphobicon, or the fear of 13 con.”

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Holding my signed copy of “The Wickeds”

One of the important works of HorrorAddicts.net is the Wicked Women Writers competition. As you probably already know, if you are a follower of my blog, women remain underrepresented in the horror genre. HorrorAddicts was not only representing for the horror genre, meaningfully, during the thirteenth annual BayCon, but also for women in horror. It is a rare thing to find oneself sitting in a room having tea with three female horror writers. It is rare to find three women who write horror in one place at all.

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Horror Addicts BayCon badge ribbon

My first connection with HorrorAddicts.net was during Women in Horror Month 2013. WiHM and Black History Month fall in the same short month of February, and I was putting together a list of black women horror authors when I came across David Watson’s article from last year highlighting black horror writers for February 2012. As it turned out, he was in the middle of putting together a new one for Black History Month 2013. It is through his works that I came to know and have the greatest respect for HorrorAddicts.net and all they do to promote the genre in general, and to make sure that underrepresented segments of the writer population such as women in horror and black horror writers are represented.

It would appear that the HorrorAddicts.net presence at BayCon is generating so much interest in the website that the redirect for the URL isn’t working correctly at the moment, so I would encourage all of you to visit them at http://horroraddicts.wordpress.com/ for the time being, until their regular url http://horroraddicts.net/ starts getting just a little less traffic. And of course, if you are at BayCon, or in the Bay Area, I would encourage you to go visit Horror Addicts, on the third floor, down the hall, just pass the Klingon Slave Auctions, and meet and speak to some of the most interesting people in horror fiction in the Bay Area. I had more fascinating conversations in my three hours at BayCon than I usually have in a month.

I met Laurel Anne Hill, the intelligent and informed woman behind the San Mateo County Fair’s Author Day event, which will take place on June 15, 2013 between 2pm and 4pm. I’ll be there, and so will Emerian Rich. We hope to see you there.

Interview with Pedro Barrento, author of The Prince and the Singularity – A Circular Tale

•May 17, 2013 • Leave a Comment

The Author:

ImagePedro was born in Mozambique 51 years ago, attended English schools in Lisbon and pursued his education until finishing a degree in Law. When he was around 33, Pedro decided there’s more to life than being a lawyer and tried his hand at various business activities, the most successful of which was a company that produced and managed rock bands. A year ago he decided to pick up again a long-forgotten hobby of his: writing. He started with a blog, mainly dedicated to political satire. Encouraged by the feedback from the blog Pedro then decided to try his hand at a whole book, an effort which resulted in the creation of The Prince and the Singularity – A Circular Tale.

The Book:

ImageThe Prince and the Singularity – A Circular Tale is a take on the Creation myth, drawing from different religious and philosophical sources and mixing them in an original, challenging and often very funny way. It is written in a multi-layered format, allowing it to be read both as a simple and entertaining fable and as a deeply philosophical work, full of hidden references and satire.

It’s the story of the Prince aka the Master aka Francis, who is more or less immortal and goes through the millennia fighting Desire and Rejection, the roots of all unhappiness and evil. He always fails until the moment he loses interest and decides to die, which he doesn’t. Instead he gets promoted.

The Interview:

Q. Along with the positive reviews you’ve received for “The Prince and the Singularity,” you’ve received some hostile remarks from users regarding your decision to mix mythologies. When you were writing it, did you set out to write a controversial work? Were you surprised by the controversy?
A. As I’ve explained in previous interviews, I didn’t really set out to write anything specific, I just had these sudden ideas for individual (non sequential) chapters. How it all ended up making a coherent story is a big mystery to me. Anyway, when it was all written down I had no idea it could be controversial, though most people would probably guess right away. I think I’m a bit naive, sometimes. It was only when I started testing the book on the Authonomy site that I understood the book could be offensive to some people.
Your remark that some people reacted adversely to my decision to mix mythologies is not entirely correct. The kind of people who were reacting badly don’t have much notion about cultures other than their own. They were reacting badly because they thought the book to be a spoof on the Bible, which it isn’t. Chapter two is clearly a twist on the story of the Buddha, but then, if you don’t know the story, you obviously will not understand the twist.
What I did was to add a Prologue that clearly defined what the story was about, and after I wrote that the problem was solved. I guess now the sort of people who were sending me “hate  mail” just read the prologue, realize the book doesn’t interest them and go read something else.
Q. In science-fiction stories like Frank Herbert’s “Dune,” for example, the mythologies are often created or invented. The same is true in fantasy works like Tolkein’s “The Hobbit.” Do you think that people would have been more open to the mixture of mythologies in a fictionalized world?

A. The less people feel threatened, the less they will react against something, so obviously the more something is fictionalized, the more distant it feels from the real world, in which case only the most fundamentalist and intolerant will react against it. Rejection arises out of fear and insecurity so there is a direct ratio between the nearness of the perceived threat and the amount of reaction against it.

My book mixes philosophies from different religions and cultures that exist nowadays. That’s a lot more threatening than mixing mythologies, which are usually from cultures extinguished long ago.

Q. Do you think your book has much in common with the speculative fiction genres such as sci-fi, horror and fantasy?

A. The book has no connection to horror or sci-fi. It has some connection with fantasy although it doesn’t belong to fantasy as a genre.

The book starts with a sort of teaser which says: “It has elements of the fantastical including a prince and a damsel in distress, but it doesn’t belong to the fantasy genre.”

Q. Many literary fiction works such as Toni Morrison’s “Beloved” and “Song of Solomon” also combine mythology with a kind of surrealism generally seen in speculative fiction. Do you think that there is some crossover between the genres?

A. Crossover between genres makes a book much more interesting, in my opinion. Genres are of interest to the industry (because it makes the product easier to market) and to some readers who don’t like their reading to be adventurous and want to be sure beforehand of what exactly they are going to read. If you prefer your reading to be a bit riskier, crossover is the way to go.

Q. In other interviews, when asked about your writing process, you have stated that you believe that “all books are already written, in some other dimension. Writers get their stories when they somehow connect to that other dimension.: – that is definitely the kind of concept associated with science-fiction. Does the other dimensional concept come into play at any point in your novel, “The Prince and the Singularity”?

A. I don’t think that is correct. It’s not associated with science fiction, it’s associated with chanelling and new age concepts. The whole book is a mix of new age, fantasy and twists on established philosophical concepts.

Q. Without any spoilers, can you tell us a bit about the nature of this singularity in the title of your book?

A. The singularity is a mathematical concept that is part of the Big Bang theory. “The Prince and the Singularity – A Circular Tale” is a title which is supposed to evoke images that clash with each other. On one side, there’s The Prince, which sounds Disneyesque, immediately followed by a mathematical entity. It totally reflects the way the book mixes all sorts of things in an unexpected way.

Where to Find Pedro’s Book Online:

Goodreads

Amazon

BayCon – Triskaidekaphobicon

•May 15, 2013 • Leave a Comment

I am going down to Santa Clara on Friday the 23rd to visit BayCon – Triskaidekaphobicon and meet Emerian and the other cool people at the HorrorAddicts.net tea! Hope to see you there!

BayCon – Triskaidekaphobicon.

Interview with Amanda Lyons, author of “Eyes Like Blue Fire”

•May 15, 2013 • Leave a Comment

The Author

ImageA longtime fan of horror and fantasy Ms. Lyons writes character driven novels that while influenced by her darker interests, can also be heavily laced with fantasy, romance, history and magic. Amanda M. Lyons has lived her whole life in rural Ohio where she lives with her fiance and two children. “Eyes Like Blue Fire” is her first novel.

The Book

ImageKatja is a vampire who has lost sense of herself and her value in the world. Lost, broken and damaged she wanders the streets of Europe hoping to find some sense of purpose beyond the death and tragedy she has always known. Betrayed by her sire and left alone in the night she is startled to discover herself forming a connection to a young man who shares a close resemblance to her master and lover. Though everything in her begs her to stay with him she flees only to come running back to save him when a sadistic monster from her sire’s past comes to destroy the only hope she has had in 300 years.

Katja and Raven will face many horrors among them Renfield style zombies, ghosts and the undead. This is also the first in the series Broken Edges.

The Interview

Q. As a fan of the horror genre, what are some of your favorite authors and novels? How are some of your influences?

A. I’ve got quite a few favorites Stephen King, Clive Barker, Anne Rice, Poppy Z. Brite, Brian Keene, Gary Braunbeck and Shirley Jackson are some of the favorite authors that come to mind. As far as novels I’d say The Stand, It, Queen of the Damned, Drawing Blood, Mr. Hands, The Ghoul, Imagica and Let’s Go Play at the Adams’. A lot of my favorite authors are major influencers. If you look at the books I chose you’ll notice that a lot of them have elements of fantasy, the gothic and surreal to them. They’re also very emotional books. All of those elements end up in my books in various ways.

Q.  Your novel ” Eyes Like Blue Fire” delves into a number of different kinds of supernatural or paranormal mythologies, with vampires and zombies and ghosts. What was it like combining them?

A. Oddly enough that’s just how it turned out in the end, little bits and pieces tying into each other and creating connections. ELBF has a lot of supernatural elements because it actually has a dream like quality. Some scenes are very surreal and haunted because people from Katja and Raven’s past retain a lasting influence years later. Sometimes we have to ask if there’s a ghost or if it’s just how much of a hole that person left in the character’s life. As for zombies I know I’m not the first person to connect ghouls and vampires, after all that’s essentially what Renfield becomes after Dracula bites him. Here zombies are created when a vampire drinks a person’s blood after the heart has stopped. It activates a sort of half-life in the dead. It was actually a lot of fun coming up with ways that my vampires differed from other renditions especially where I took something traditionally believed and gave it a different reason for being true.

Q. Did you research traditional mythologies for these creatures, or create your own fictional myths the way fantasy authors like Tolkien have in the past?

A. I didn’t so much come up with new mythologies as give them a bit of a twist. For example my vampires aren’t inherently evil so crosses don’t have an effect, they’re only sensitive to holy water that has been drawn from underwater springs and therefore are tainted with different elements that react to vampiric flesh, and rather than being invisible in mirrors a much more horrific image is reflected back. They also have different ways of handling feeding including sex. I had a pretty broad range of supernatural belief to draw from and I tried to give some of the old ideas new life.

Q.  Speaking of fantasy, in what ways do you combine the genre with horror in your writing?

A. Tanith Lee and Clive Barker are some great examples of writers that often write dark fantasy or fantastic horror. The places where these stories happen are beyond the norm, set in fantasy or fairy tale settings with a very surreal aspect to them. I’ve been told before that ELBF has an air about it like a fairy tale, a sort of legend for grownups that includes the horrific and strange. In dreams when things are frightening it’s often because they are foreign to us, sort of make believe and odd for no other reason than that it’s what our mind offers us. A lot of what I write can be this way, like we’ve walked into someone else’s dream and things aren’t always as they seem.

Q. Your central protagonist is more than three hundred years old. Did you have to do a lot of research in order to write about Katja’s origins?

A. I’m a fan of historical fiction and history in general. While I didn’t worry about making the setting perfectly suited to that era I did do a little looking around to make sure I wasn’t completely off on how Katja’s life would have been then.

Q.    Will Katja be the main character in the rest of your Broken Edges stories?

A. Yes and no. While she’ll always be one of the central characters she won’t always be the center of the story. For example in the 2nd novel Cool Green Waters the plot centers more on Zero and Michael as they try to find Mateo. Katja and Raven are still integral to the plot but we learn a great deal more about them and Mateo himself. I do think the 3rd novel will have  a lot to do with Katja as it centers on some very important changes for her character.

Q.   Is there anything you would like our readers to know that we haven’t covered yet?

A. “Eyes Like Blue Fire” is a gothic horror novel. Some might mistake this as meaning that it’s paranormal romance. The reality is that it’s much closer to the traditional gothics which were a blend of mystery, suspense, horror, romance and tragedy. It has a lot more in common with the works of writers like Shirley Jackson and Anne Rice than modern paranormal romance which tends to have a stronger focus on beefcake and heroism than those older gothics did (not that that’s a bad thing it just isn’t where ELBF ended up).

Where To Find Amanda and ELBF:

Giveaway on Goodreads

Giveaway on Goodreads until May 24th! Enter to win a copy of “Eyes Like Blue Fire!”

Kickstarter project for “Solitude:Disillusionment” draft feedback wanted!

•May 13, 2013 • Leave a Comment

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I finished putting all of the information in for the Kickstarter program, and I am wondering what you think of it. Can you maybe take a look at the page, and the proposal, and the video and tell me what you think of it?

Here is the link!

http://www.kickstarter.com/projects/887283131/2143153594?token=75eeb256

Happy Mother’s Day

•May 11, 2013 • Leave a Comment

TCMB Orange WordPressI have decided to make “The Moon Cried Blood” free for Mother’s Day as a promotion. It is a coming-of-age story about a young girl who discovers that she is from a long line of witches who are imbued with powers by the moon, known as Luna Our heroine, Leticia, has been separated from her institutionalized mother. She has been raised by her stepmother. Much of this story has to do with how we, as young women coming to understand our womanhood, our lives, our communities and where we come from, need to get to know our mothers and our grandmothers in order to better understand ourselves.

I hope you will check out – and enjoy – “The Moon Cried Blood,” a work of dark fiction/urban fantasy about a young girl of black and Latina heritage in the mid 70s struggling to survive and reconnect with the women in her family, who are the only ones who can help her to understand and control her newfound powers.

http://www.amazon.com/The-Moon-Cried-Blood-ebook/dp/B007P9WL4W

Considering Kickstarter

•May 11, 2013 • Leave a Comment

ImageI am thinking about using Kickstarter to raise money related to the completion of a sequel to “Solitude,” “Solitude: Disillusionment.” Although I completed my previous projects with a zero budget, I have learned through experience that proofreading and copyediting for a novel length work is something that does require some kind of budget, both for software that can be utilized to assist in this process, and for the absolutely necessary human component. I was wondering if you would be so kind as to take a look at this preview of what the project might look like (it’s not live, this is just what I have so far). Tell me what you think. Thank you.

Just take a look at the Preview Link:

http://www.kickstarter.com/projects/887283131/2143153594?token=75eeb256

OUCH! Change Hurts!

•May 9, 2013 • Leave a Comment

Ann Fields interviewed me about the horror genre, since its something she is wanting to delve into herself. I hope you find the interview thought-provoking and informative.

OUCH! Change Hurts!.

Stop! Grammar Time.

•May 8, 2013 • Leave a Comment

(With apologies to MC Hammer)

Those, those, those commas hit me so hard
Make me scream “Oh dear Lord”
I can’t tell it’s from its
So grammar nazis keep giving me shit
One hundred thousand words are too much
To proofread – I need a crutch

I’m crying and I know
I can’t proof this
I can’t proof this
I can’t proof this

Mainstream publishers give an advance
Indies shake chump change out of their pants
Or pennies that fell under the seat
Begging people to download their eBook free
Grammarly costs a monthly fee
Not a dollar, but damn near thirty
Perfect-It is less than that
It’s ninety-nine bucks in just one crack
But Ginger’s free and not that whack
If your income’s not that much
Then free is a price you can’t touch